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Appointment with Destiny!

by The Icons

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  • Compact Disc (CD) + Digital Album

    “Their slam/bang guitar and pounding rhythms wake me up to why I loved The Wailers and The Sonics back in the day and why bands I never would have listened to in the Sixties (Iggy Pop, Dead Boys, Richard Hell & the Voidoids) later became solid favorites.” Frank O. Gutch Jr. – Rock and Reprise

    Older, wiser, still smartassed and still in love with catchy tunes, Dyer, Trettevik and their cohorts substitute brattiness for eccentricity, cheeky silliness for wizened wit. Boasting an even more stripped-down power pop style than in ye olden days, the Icons whip out memorable gems like “No Hammer,” “Let It Go” and “You Never Have Time” with the ease of veterans and the energy of a second childhood. Trading youthful verve for mature experience hasn’t harmed the Icons one whit on Appointment With Destiny! Michael Toland – The Big Takeover

    it feels and sounds real, that kind of gutsy aggressive rock that is immediate but also something that’s worthy for tomorrow. John Book

    Includes unlimited streaming of Appointment with Destiny! via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.     ... more
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  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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1.
You're The One 03:02 video
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2.
X-Ray 03:25
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3.
Fool Me Once 03:10
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4.
Dancin' In The Jailhouse 03:40
info
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5.
The Glory Of Love 04:19 video
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6.
You Never Have Time 02:38
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7.
Green Means Go! 02:29
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8.
Made By Parker Posey 03:29 video
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9.
Warm And Tender 03:07
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10.
You Need Love 03:00
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11.
Twenty-Five 03:00 video
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12.
Let It Go 03:11 video
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13.
Falling 03:18
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14.
St. Charles 04:29
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about

Bonus tracks:

"No Hammer" & "Carousel" with the full album download.

The Official Story!

It is their second record in twenty five years. They don’t necessarily like to rush things.

Recorded and mixed over the course of a year at Icons Underground World Headquarters in Seattle, Destiny is built around the songwriting prolificacy and prowess of singing guitarists Tom Dyer and Steve Trettevik simultaneously featuring Hades’ own rhythm section, James Gascoigne on drums and Rick Yust on bass and vocals. Destiny also includes Rick’s compositional debut on the dreamlike nightmare that is Made by Parker Posey. Add in Green Pajama Jeff Kelly’s Dancin’ in the Jailhouse and you’ve got sixteen brutally fresh, intoxicating songs.

Appointment With Destiny! delivers with a delicate punch the pain and joy of what it is to be human today ... well, perhaps not. But it is packed with tuneful thrashing, songs of Love and Unrequited Love, songs of Life and songs of Death, songs of Space Aliens and songs of the Medical Profession—the true Heart and Soul of four misguided post-modern troubadours. Have mercy.

How did we come to this spectacular and fateful day? The story goes like this.

The Icons fired up in 1983. Tom finished his Seattle art/punk band The Adults. In his four-track studio, he and Steve started recording various dopey studio projects like Stevie Nations & the United States, the Rude Dudes, Sherry & the Mudmen, and Group Sex. Classy stuff. It was time for a real band. Tom said to Steve, “get the name right - the rest is easy.” The Icons was the name and The Icons was the deal. Drummer Tim Nelson (R.I.P.) was next lured into the pack. Truth - Rick was seduced to join the band by perfectly grilled meat. Who could resist? And there were four Icons. It was good.

The Icons rehearsed like maniacs and recorded, a lot. Tape was running, a lot. The band was soon playing for the people semi-regularly around town. These were heady times, with all the playing for the people, and it was good, damn good. But there was soon trouble in paradise. Tim found himself conflicted between his Iconship and some higher calling. Tim was out. Way out. The Icons invited the Queen Annes’ James Gascoigne to pound skins. James and the band agreed to terms and there was food and merry drink, and more drink, for all.

Fame and fortune escaped this fantastic foursome. However, neither fame nor fortune were the goal, the intention. Playing the music for the people was the calling. And the noise, it was always the noise. By 1986, the Mission was accomplished. The Masters of Disaster came forth on cassette The Icons were no more. And it was good.

Silence until 2003 – then, suddenly, a 4 minute film The Icons – Proof That They Rocked is shot in 48 hours by Jen Peel and crew for the Seattle International Film Festival Fly Film. Tom flies in from Boston and by dumb luck sees it on TV from a hotel room at the Hilton. It can still be seen on Channel 9 PBS in Seattle from time to time. The film confirms their growing obscurity.

Next stop - the summer of 2009. The Icons were called forth to do a Green Monkey Records reunion show. The Icons rocked the house. It was fun. It was loud. It was just too good. What was left to do?

Bake the multi-track tapes from the Masters of Disaster. Remix it. Add some stuff. Put it out. Done. Make their second record? It was time.

2010, they recorded drums and stuff with Conrad Uno. They got Amy Denio to play squeezebox and saxophone. They got her associate from AMA Madeleine Sosin to play violin. They got Jeff Kelly of the PJs to play organ on songs. They got Glen Slater of The Walkabouts to play organ on songs. Who doesn’t like organ? Mix, mix, mix. Done.

Destiny is the fruit of their new calling. But that is just the beginning. The Icons will not be denied twice. This time The Icons are bigger and better and prettier than ever. This time the calling is fame, glory and riches beyond all imagination.

And that dear reader, concludes our tale. We all have a part to play in this story. Answer the call and do your part. Be part of real history. Sell your soul if you must.

Your Appointment with Destiny awaits!

credits

released April 12, 2011

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The Icons Seattle, Washington

In 2011, Tom Dyer & the rather mighty Icons were all grownups with jobs. Destiny called. They were doing this for the exact same reason as they did the first time, in 1983; to make a beautiful racket and to believe for one sweet, delusional moment that music matters more than anything else. Will they ever rise again? All hail, let their glory stand tall! ... more

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